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Antsman. ‘The Southern Outpost’. Published in Back 2 Basics: Aotearoa Hip Hop Magazine, Pioneer Issue, September 2001. p28.

Askew. ‘Merksta’. Published in Back 2 Basics: Aotearoa Hip Hop Magazine, Pioneer Issue, September. 2001. p25.

Atai. ‘Pearls of the Pacific’. Published in Rip it Up, Issue 285, Febuary/March 2002. p43.

Atkinson, C. September 9, 2003. ‘Consumers Viewed like Hooligans and Rioters’ http://www.adage.com .

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Saigon on ‘Shock TV’ – ‘Warning Shots’ – The Source Magazine June 2004.

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Skeen, N. ‘Black Attack’. Published in Back 2 Basics: Aotearoa Hip Hop Magazine, Issue 01, June 2002.

Slave. ‘Slave’. Published in Back 2 Basics: Aotearoa Hip Hop Magazine, Pioneer Issue, September 2001, p11.

Smithies, G. ‘Hip Hop Ya Don’t Stop’. Published in Pulp Magazine, Issue 15, Oct/Nov 1999.

Spex. (a) ‘Teremoana’. Published in Back 2 Basics: Aotearoa Hip Hop Magazine, Pioneer Issue, September 2001, p33.

Spex. (b) ‘Kos163’. Published in Back 2 Basics: Aotearoa Hip Hop Magaznie, Pioneer Issue, September 2001. p22 & 24.

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Chapters in Books

del Barco, M. 1996. Rap’s Latino Sabor., in Droppin’ Science: Critical essays on rap music and hip hop culture, Perkins, W. E., Temple University Press, Philadelphia.

Guevara, N. 1996. Women writin’ rappin’ breakin’., in Droppin’ Science: Critical essays on rap music and hip hop culture, Perkins, W. E., Temple University Press, Philadelphia.

Hazzard-Donald, K. 1996. Dance in Hip Hop Culture., in Droppin’ Science: Critical essays on rap music and hip hop culture, Perkins, W. E., Temple University Press, Philadelphia.

Kitwana , B. ‘The Hip Hop Generation, Young Black and the Crisis in African-American Culture’.

Lipsitz, G. 1998. The Hip Hop Hearings; Censorship, Social Memory, and Intergenerational Tensions among African Americans., in Generations of Youth; Youth Cultures and History in Twentieth Century America, Austin & Willard eds., New York University Press, New York.

Maxwell, I. 2001. Sydney Style: Hip Hop down under comin’ up., in Global Noise: Rap and Hip Hop outside the USA, ed. Mitchell, T., Wesleyan University Press, Middletown.

Mitchell, T. 2001. Kia Kaha (Be Strong!): Māori and Pacific Islander Hip Hop in Aotearoa-New Zealand., in Global Noise: Rap and Hip Hop outside the USA, ed. Mitchell, T., Wesleyan University Press, Middletown.

Pennay, M. 2001. Rap in Germany: The Birth of a Genre., in Global Noise: Rap and Hip Hop outside the USA, ed. Mitchell, T., Wesleyan University Press, Middletown.

Perkins, W. E. 1996. The Rap Attack; an introduction., in Droppin’ Science: Critical essays on rap music and hip hop culture, Perkins, W. E., Temple University Press, Philadelphia.

Urla, J. 2001. “We are all Malcolm X!”: Negu Gorriak, Hip-Hop and the Basque Political Imaginary., in Global Noise: Rap and Hip Hop outside the USA, ed. Mitchell, T., Wesleyan University Press, Middletown.

Walser, R. 1988. Clamor and Community in the music of Public Enemy., in Generations of Youth; Youth Cultures and History in Twentieth Century America, Austin & Willard eds., New York University Press, New York.

Zemke-White, K. 2001. Rap music and Pacific Identity in Aotearoa: Popular music and the politics of opposition., in Tangata O Te Moana Nui: The evolving identities of pacific peoples in Aotearoa/NZ, Macpherson, Spoonley & Anae eds., Dunmore Press.

Zemke-White, K. 2002. Reverse resistance: Pacific engagement with popular music in NZ., in Pacific Art Niu Sila; the Pacific dimension of contemporary NZ arts, Mallon & Pereira eds., Te Papa Press.

Zemke-White, K. 2004. Keeping it Real (Indigenous): Hip Hop in Aotearoa as Community, Culture and Consciousness., in Cultural Studies in Aotearoa NZ: Identity, Space and Place, Bell & Matthewman eds., Oxford University Press.

Discography

No Artificial Flavours, 'Sweet As Bro', 2003.

Breaks Co-op, 'Roofers'.

Curious Records, ‘On the Beat ’n’ Track', 1996.

Cartel, 'Cartel'. Universal/Mercury, 1995.

Che Fu, '2 B S.Pacific'. BMG, 1998.

Che Fu, 'Navigator'. Sony Music, 2001.

Cypress Hill, 'Black Sunday'. Sony Music, 1993.

Dam Native, 'Kaupapa Driven Rhymes Uplifted'. Tangata Records, 1997.

Dawn Raid Entertainment, 'South Side Story 1 & 2'.

Deceptikonz, 'Elimination'.

Deceptikonz/P-Money, ‘Touch something’.

Dilates Peoples, ‘Trade Money’.

DJ Ali and Scribe, 'The Boil Up'.

DJ Sirvere, 'Major Flavours' 1,2,3,4,5.

DLT, 'True School', 'BMG', 1997.

Eve featuring Gwen Stefani, ‘Let Me Blow Ya Mind’.

Erhmen, ‘Back Um Up Kid’ from Samoans Part 2.' 1998.

Footsouljahs, ‘Represent for mah people’; 'Styles, Deliveries, Flows'EP; 'Puttin’ In Work'.

Grandmaster Flash & The Furious Five, 'The Message', Sugar Hill Records, 1982.

Ice-T,‘Freedom of Speech’.

Ill Semantics, 'Theory Of Meaning'.

Iwi, 'Iwi', Tangata Records, 1998.

King Kapisi, 'Savage Thoughts', Festival Records, 2000.

King Kapisi, '2nd Round Testament'.

Local Knowledge, 'Sample 01', Blackchili Records, 2003.

Mareko, 'White Sunday'.

Nesian Mystik, 'Polysaturated', Bounce Records, 2002.

NWA, 'Straight Outta Compton', Priority Records, 1989.

P Money, 'Big Things'.

P.R.O.U.D. Tour.

Public Enemy, 'It Takes a Nation of Millions to Hold Us Back', Def Jam, 1988.

Public Enemy, 'Fear of a Black Planet', Def Jam, 1990.

Public Enemy, 'Apocalypse 91: The Enemy Strikes Black', Def Jam, 1991.

Public Enemy, 'He Got Game', Def Jam, 1998.

Puff Daddy, ‘If You Want This Money’.

S.A.S. Crew.

Scribe, 'The Crusader', 'Dirty', 2003.

Snoop Doggy Dogg, Verse 3, ‘Ain’t no Fun’.

Sudden Rush, 'Ku’e', Way Out West Enterprises, 1997.

Sudden Rush, 'EA', Quietstorm Records, 2002.

Te Kupu 'Ko Te Matakahi', Kupu.

Trillion,‘Sing Hallelujah’ She’ll Be Right Records.

Trillion,‘Fortheheartand…’ She’ll Be Right Records.

Tupac Shakur, 'The Streets R Death Row' on 'Strictly for my N.I.G.G.A.Z' 1993.

Unique Jerry '4 W.A.'

Upper Hutt Posse, 'E Tu', Jayrem, 1987.

Upper Hutt Posse, 'Against The Flow'.

Urban Disturbance, '37 Degrees Latitude'.

Urban Pacifica Records 'Pioneers of a Pacifikan Frontier Aotearoa Hip Hop, Vol. 1.'

Documentaries

Battle of the year 2001/2002 – Beat Merchants.

Bodyrock 2003 Video.

Brotherhood Films 2002 - The Freshest Kids: A History of the B-Boy’.

DMC World Championship 1989 – DMC Store’s.

Kia Kaha Productions. 2003. ‘Ngātahi: Know the Links’.

PBS film ‘Independent Lens – Strange Fruit’, http://www.pbs.org/independentlens/strangefruit/index.html .

Screentime Communicado, 2003 -‘Hip Hop NZ’.

Journal articles

ALAC NZ 'Māori and Alcohol: A History'.

Bennett, A. 1999. Hip Hop am Main: The localisation of rap music and hip hop culture. Media, Culture & Society, Vol. 21, No. 1.

Emerson, R. A. 2002. Where my Girls At? Negotiating Black Womanhood in Music Videos. Gender & Society, Vol. 16, No. 1.

‘Human Rights and the Treaty of Waitangi – a Qualitative and Quantitative Study [September 2002]’ Human Rights Commission.

Kopytko, T. 1986. Breakdance as an Identity Marker in New Zealand. Yearbook for Traditional Music, Vol 28.

McLeod, K. 1999. Authenticity within Hip Hop and Other Cultures Threatened with Assimilation. Journal of Communication, Vol. 49, Issue 4, Autumn.

Ogbar, J.O.G. 1999. Slouching towards Bork: The culture wars and self criticism in hip hop music. The Journal of Black Studies, Nov 1999.

Roth Gordon, J. 2002. Hip Hop Brasiliero: Brazilian Youth and Alternative Black Consciousness Movements. Black Arts Quarterly, Vol 7, No 1.

Samuels 1995; Silverman 1989.

‘Stereotyping Hip-Hop, Rap Music’ supplementary reference source for Myllynen, American rap Music, 2001, http://www.uta.fi/FAST/US8/PAPS/scoggins.html .

Vaughan, 1992.

Wade, P. 2002. Music and the Formation of Black Identity in Columbia. NACLA Report of the Americas, Vol 35, No 6.

Watkins, L. 2001. ‘Simunye, we are not one’: Ethnicity, difference and the hip hoppers of Cape Town. Race & Class, Vol 43, No 1.

Publications

Chalfant, H. & Prigoff, J. 1987. Spraycan Art. Thames & Hudson Ltd., London.

Fricke, J. and Hearn, C. 2002 Yes yes ya’ll: Oral History of Hip Hop’s first decade. Experience Music Project, Da Capo Press. United States of America. p26, p45 & p65.

Global Education Centre, ‘The Next – An Impression of Hip-Hop Expression’.

‘Hip Hoptionary’; by p.Westbrook & A Westbrook, Broadway Books, Harlem Moon. 2002.

Human Rights and Equal Opportunity Commission, 1997. Bringing Them Home: A guide to the findings and recommendations of the National Inquiry into the separation of Aboriginal and Torres Strait Islander children from their families. HREOC, Australia.

Klein, N. 2001. No Logo. Flamingo, London.

Lipsitz, G. 1994. Dangerous Crossroads: Popular music, postmodernism and the poetics of place. Verso, London.

Longmans. 2003. Dictionary of Contemporary English, Essex.

Riveia, Raquel, 2003. New Yorkricans from the Hip Hop Zone. Palgrave Macmillian, New York City, United States of America. p50, p56 & p58.

Shaw, W. 2000, ‘Westsiders – Stories of the Boys in The Hood’, Bloomsbury.

Starhawk 2002 ‘Webs of Power’ New Society Publishers, Canada, p163.

Stampa Alternativa. 1996. Style: Writing from the Underground. Nuovi Equilibri s.r.l, Italy.

Tamati, S. 2004. ‘A Window to OUR WORLD’ An overview of Aotearoa Hip Hop – as seen by the Hip Hop community and young people, ‘from a Hip Hop participant’s point of view’.

Winn, J. 1981 ‘Unsuspected Eloquence: A History of the Relations between Poetry and Music.’ New Haven, CT: Yale UP.

Zephaniah, B. ‘Who’s Who’ from ‘Talking Turkeys’ Puffin Books, UK.

Web-based references

AIDS Orphans in Africa - http://www.avert.org/aidsorphans.htm

‘Bad Subjects’ Review – 2003 Aaron Shuman.

http://www.benjamin.zephaniah.com

Bio from official website for Ice-T http://www.icet.com

Comments in article ‘NZ Graf Art’ at http://www.tearaway.co.nz .

‘Ice Cube’ bio – http://www.icecubemusic.com/icecube_bio.html

Kingi Kapisi in a biography from the Festival Mushroom Records website: http://www.fmrecords.co.nz

http://www.moh.govt.nz New Zealand Ministry of Health.

http://www.slipcue.com/brazil/brazilterms.html

Te Ara – the Encyclopaedia of New Zealand, http://www.TeAra.govt.nz/NewZealandInBrief/History/en.htm

http://www.wikipedia.org/wiki/consumerism

Unpublished Papers

Betts, R. 2000. ‘Hip Hop Culture in New Zealand', Unsubmitted MSocSCi thesis, University of Waikato.

Roediger, David 1998 What to Make of Wiggers: A Work in Progress, in Generations of Youth: Youth Cultures and History in Twentieth-Century America Austin and Willard (eds.) New York, New York University Press, pp359-66.

Magazines

  • Hip Hop Connection Magazine – Real Groove
  • Source Magazine – any good book retail store
  • Vibe – any good retail book store
  • Disruptiv – Real Groove (NZ)
  • Back 2 Basics – TBC (NZ)
  • Taiohi (NZ)

Books

  • Aerosol Art
  • Aerosol Kingdom
  • Aotearoa Street Action (NZ)
  • Broken Windows
  • Dondi White-Style Master General
  • Ego Trip’s Book of Rap Lists
  • New Yorkricans in the Hip Hop Zone
  • Rap Attack 3
  • Spraycan Art
  • The Art of Getting over
  • Vibe Hip Hop Divas
  • Vibe History of Hip Hop
  • Writing from the Underground
  • Yes Yes Yall

New Zealand Aotearoa Websites

International Websites